These titles differed from main stream publications allowing individual artists and writers to have a personal voice in their work. The first such comics were anthology series focusing on anti-establishment political themes while others represented experimental attempts to bring comics closer to the status of fine art.īy the 1980s, the direct market approach to comic book distribution had begun and several key independent publishers had started releasing standalone titles that featured a wide range of styles and formats. The rise of comic book shops in the late 1970s and early 1980’s supplied a market for “independent” or “alternative” comics in the U.S. These books had an uninhibited and often irreverent style and explored issues that had never been produced in the comic book form before. Published and distributed independently of the established industry, these small press comics reflected the youth counterculture of the time. The introduction of Jerry Siegel and Joe Shuster’s Superman in 1938 turned comic books into a major publishing industry and what followed through the 1960’s were comic books that centered around the archetype of the superhero.īy the early 1970s a surge of creativity emerged in what became known as underground comics or “comix”. Although comic books have origins in 1700s Japan and 1800s Europe, comic books were first popularized in the United States during the 1930s. The first modern comic book was a reprinting of earlier newspaper humor comic strips, which had established many of the story-telling devices used in comics. These panels are often accompanied by brief descriptive prose and or a written narrative. A comic book is a publication that consists of comic art in the form of sequential panels that represent individual scenes.
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